FESTIVE FIFTY YEARS AGO 1962 – PART TWO

December 27th, 2012

Welcome to the second part of the rundown of the Festive Fifty from 1962, or more accurately, my version of what might have appeared in the Festive Fifty in that year if John Peel had been (a) in the country (b) working for the BBC and (c) compiling a Festive Fifty. Enjoy!

40. LORD BLAKIE – Maria.

Lord Blakie was one of the lesser-known calypsonians to come out of Trinidad in the late fifties. Always in the shadow of the global superstar Mighty Sparrow, this was his finest hour, winning the first official “road march” with this song. He is so damn cool in this clip, too.

39. JET HARRIS – The Man With The Golden Arm.

Debut solo hit from the former Shadows bass player.

An off-the-cuff remark by Shadows guitarist Bruce Welch about Harris’ wife’s ongoing affair with Cliff Richard(!) led to Harris quitting the band in April 1962.

A mere four months later he was in the chart with this brilliant, searing arrangement of the theme from the 1955 Frank Sinatra film.

The subject matter of the film – heroin addiction – could be seen as a statement from Harris about his own addiction problems, although these involved the bottle rather than the needle.

38. GINO PARKS – Fire.

A massive blast of angry noise which was very much out of sync with the vast majority of Motown’s early 60s output.

Gino Parks can be said to have been ahead of his time – this record certainly was, by two or three years.

Unfortunately Berry Gordy’s ideas about what the “Motown sound” should be meant no place for this kind of record , and Parks had few further opportunities at the label.

37. THE EVERLY BROTHERS – I’m Not Angry.

A B-side which would undoubtedly have received more airplay on Peel’s show than its more famous A-side “Crying In The Rain”.

In 1977 Elvis Costello included a track with the same title on his debut album, and the similarities go beyond the title to include the meaning and intent of the protagonist.

By the end of both songs, the listener is left in no doubt that the guy in the song is fooling nobody, let alone himself.

36. THE VENTURES – My Bonnie Lies
Never massive in their home country in the same way their UK rivals The Shadows were in theirs, nevertheless The Ventures laid the instrumental groundwork for the surf sound that formed the second (ahem) wave of American rock’n’roll music.

This record, a hepped-up reworking of an old weepie, was only a minor hit, but its inclusion here can be traced to another, vocal version of the song that was popular in this year (in the UK at least).

35. RAY CHARLES – Half As Much

In which Ray Charles really pulls out all the showstopping stops and creates a huge, fat middle of the road record that is a million miles away from “What I’d Say”. The piano playing and voice are more restrained but still classic.

34. GENE CHANDLER – Duke Of Earl

In a later era, the likes of Whitney Houston and Mariah Carey would make careers out of doing voice exercises to music, but this was probably the first worldwide hit record to be created out of a doo-wop band’s warm-up routine.

Neither a fast doo-wop number or a slow ballad, its intermediate pacing made it stand out and it went to No. 1 in the early weeks of 1962.

33. ELVIS PRESLEY – Return To Sender

Elvis’s career was at least as much about making films by 1962 as it was about making music, and this song was one of the highlights from the bikini classic “Girls Girls Girls”.

32. BOB DYLAN – Talkin’ New York

If you can argue – and you can – that the truest work of an artist is in his early, penniless, hungry years, then how much truer is that of folk music, where honesty is the most prized, maybe the only, virtue?

This is one of the two self-compositions on Dylan’s first album, and it’s a cracker, honest and true, detailing Dylan’s experiences on arriving in the Big Apple as a 20-year-old singer and trying to get noticed.

“New York Times said it was the coldest winter in seventeen years
I didn’t feel so cold then”

31. LITTLE OTIS HAYES – I Out-Duked The Duke

Answer Records were a great tradition of the fifties and sixties, briefly being revived as a record industry stunt with “F.U.R.B”, a record which didn’t really live up to it’s illustrious predecessors of two or three generations ago.

This one is a belter. Little Otis takes the basis of the tune of “Duke Of Earl” and gleefully rips out a derogatory lyric about how he “popped the Dook’s girl” while he was out of town. Magnificent.

So, tomorrow evening it’s numbers 30-21. See you then.

The First Festive Fifty Of Them All

In 1976, in those odd in-between days between Christmas and New Year when you’re not quite sure if the country is on holiday or at work, fourteen-year-old me listened avidly to John Peel broadcasting his Festive Fifty songs of the year on BBC Radio One.

Unlike subsequent years, this was an all-time listing, summed up here in twelve minutes.

I’m going to make a cup of tea while you watch and marvel at it.

Good, innit?

Still stands up to this day as a superb list, combining the obvious …

… with the idiosyncratic

… and the occasional complete curve ball

There’s even a couple of Genesis tracks. But we shall move swiftly past THOSE.

Oh, and this Prog Classic by Yes sneaked in at number 50,making it the first Festive Fifty record to be broadcast. Bet Peel LOVED that.

There was no chart the following year, but it resumed in 1978 and continued in its more familiar role as a chart of songs that came out in the current year, until the DJ’s untimely death in 2004.

Strictly speaking, of course, it wasn’t Peel’s Festive Fifty at all – it was, as he frequently stressed, his listeners’ Festive Fifty.

Quite a few fans have carried on the tradition to this day, selecting or voting for tracks they think would have made the chart, had Peel still been with us. Again, these are all well worth checking out.

Special mention to Dandelion Radio, an Internet radio station which plays Peelmusic. They do a Festive Fifty every year, voted for by listeners, and you can hear it every day from Xmas Day until the end of January. They’re fully PRS licensed too, btw, which I think Peel would have liked.

Superstar Bunny – Here We Go!

This week, BBC 6 Music’s Steve Lamacq has been fielding emails, texts and tweets concerning damaged records. I heard this too late to contribute but was reminded of our late lamented pet rabbit Bugsy (and Minstrel too, who also appears in the video) –


(video)

We kept them as house rabbits, ie, they weren’t in a hutch in the garden all the time, bored out of their rabbit skulls. They did have a cage, a big dog-type one, which they lived in at night but the rest of the time they had a free run of the whole ground floor of the house.

This has been a broadcast on behalf of the House Rabbit party. Rant over.

One afternoon we left Bugsy and Minstrel in the lounge on their own for a while. After a while we heard some clattering. Intrigued, we went back in to find Bugsy in the middle of a pile of CDs, which he was diligently removing from the free-standing CD rack with his mouth and throwing them onto the carpet.

Wow, we thought. He really doesn’t like Culture Club, fair enough. Or Elvis Costello – hang on a minte. Or Dexys! What is WRONG with him?

For a couple of hours he was set to be the main ingredient in a pie, but Sal talked me out of it.

Thought nothing more of it until we tidied the room up at bedtime. No point in tidying as you go with two rabbits and two teenagers about the place.

We then noticed this:

Brim Of Ash by Shop

Bugsy had obviously found the cardboard cover of Cornershop’s big hit single “Brimful Of Asha” to his liking …

And he had noticed other tasty packages on the same CD rack – Cosmic Rough Riders and Feeder were similarly marked. Indeed, we have yet to locate Black Grape’s Euro 98 song “England’s Ire” to this day.

He was also bright enough to realise that most of the CDs had nasty plastic covers, so he’d discarded them.

Bugsy knew a good record when he saw one – Brimful Of Asha was Number 1 in John Peel’s Festive Fifty in 1997.

RIP, Bugsy. Miss you 8=)