Talons – The Lexington, London

Friday 3rd November, 2011

What does this band sound like ? I never know how to answer that properly.

It was simpler back in the day. You had rock and pop, soul and reggae, country, classical, folk. That was about it and you knew where you were.

Nowadays – well, this is a desperately incomplete and in no way definitive list of the genres inhabiting today’s musical landscape. See if you can spot the ones that I’ve made up. Although of course that doesn’t mean they aren’t genuine genres even if only by coincidence.

Indie, Shoegaze, Techno, House, Funk, Jazz-Funk, Jazz.

Acid Jazz, Acid Folk, Acid House, Acid Drops.

Drum and Bass, Jungle, Grime.

Crunk, Donk, Emo, Screamo, Romo.

Punk, Nu-Punk, Ska-Punk, Skater-Punk, Jazz-Punk.

Country, Western, Country AND Western, Bluegrass, Alt.country.

Folk, Alt.folk, Antifolk

Prog rock, Classic Rock, Jazz-Rock, Post-rock, Math Rock.

Grunge, Clunge, Flange

Garage, UK Garage, Two-Car Garage.

Death Metal, Black Metal, Nu-metal

Pop, Chamber Pop, Wonky Pop, Swingbeat.

As soon as you define something musically, you pigeonhole it. And you put off some people who may have liked it, while other people think they’re going to like it and don’t.

If I describe Talons as post-rock that will put people off because they have heard one band that is a post-rock band (say Mogwai) and they didn’t like them.

If you have never heard of either of these bands, and there’s no particular reason why you should have, then how about this – would you say that just because you don’t like UB40, that means you won’t like Bob Marley ? They’re both reggae artists, after all.

So, Talons.

Talons are a bit mathy and a bit posty. And instrumental.

Six impossibly young looking lads from Hereford, apparently.

They have a unique line-up consisting of two guitars, bass and drums – and not one but two violins, played in the ferocious manner of Klaas Janzoons on early dEUS albums.

According to their website (link below but read the rest of this blog article first, its good!) Talons play neither post-rock nor math-rock but something in-between. So, a bit mathy and a bit posty. I’d also say a bit proggy and a tiny bit thrashy, but only when its called-for.

It reminded me a bit of Grammatics fused with Mogwai, but the band may well disagree.

They open with an astonishing seven or eight minute epic piece of melodic noise. As soon as the music starts they’re transformed from six diffident young lads into a transfixing noise unit, perfectly in synch, confident in their creation of a unique, brilliant sound.

These boys can really play. The drummer holds it all together brilliantly through the odd time signatures.

They have an album out called “Hidden Treasures”. Its superb, and you should buy it – but you should also go see them live, cos that’s where they take it to another level.

http://gotalons.com/

 

 

Young Knives, Reading

“We’re all slaves on this ship, we’re all slaves on this ship, this ship’s sinking”

Tuesday 1st November 2011

Reading’s a funny old place. Too close to LDN to really have its own identity like, say, Southampton, but pretty much all the facilities you could hope to have. Jimmy Carr recently played at the Hexagon, so there you go.

Sub89 is a cracking small  venue. Daughter No. 1 (henceforth known as D#1 for brevity) gets asked for ID on entry, which pleases her immensely (“They think I look like I’m only 21”) until she realises its a 16-plus gig.

http://www.sub89.com/gallery/

600 capacity, but I reckon you could squeeze a few more in here at a pinch. Quite a big hall for a small venue, if that makes sense. Only half full on  Tuesday night.

Quick word about the support bands. I got there too late to hear Quiet Quiet Band but the tracks I listened to were really good so I will deffo be seeking them out in the future

http://www.facebook.com/pages/quiet-quiet-band/104858314903

I DO get to hear Chewing Gum Weekends, who straddle a number of styles, sometimes going from abrasive hard-assed white reggae to prog to fisting the air anthemic indie then back again to reggae. Tight as a post-credit crunch bank manager, they have the songs, notably “Go Hard Or Go Home”, which is a fine sentiment ! Give ‘em a couple of years.

http://www.facebook.com/pages/Chewing-Gum-Weekends/144341098965636

“Who are these people? They are too stupid to be your REAL parents”

The Young Knives are one of the bands that D#1 and I have in common. Tunes, scuzzy punky guitars and proper lyrics.  They look like young farmers but sound like a hardcore punk band.

They’re from Loughborough and they assure the Reading massive that “our town’s shitter than your town”. Having worked in Loughborough for a few months, I can confirm this. Its not quite shitter than Barnstaple though.

One of the characteristics of their songs is that I’m rarely 100% certain exactly what they’re alluding to … but what I do get is usually pretty dark, so maybe I’m better not knowing.

“And I will never go down fighting”

Last time I saw Young Knives they were headlining an NME show at the late, lamented Astoria in London, a victim of the Cross-Rail Network link that is being built for the Olympics. We also lost the best (indeed only) chippie in the West End, the legendary Dionysius, scene of so many post-gig munchies fests for so many people …

That show was fantastic. Seemed to mainly consist of school-age kids, which can sometimes mean a fairly static crowd, but this lot were there to mosh like demons. Found myself being used as a shock absorber in the mosh pit, which was fair enough I suppose given my girth. Saved a kid’s life in a mosh pit once, you know, but that’s a tale for another day.

“Fake rabbit, real snake, Terra Firma, Terra Firma”

This show is lower-key, being the last show in a long tour.

Young Knives play for an hour or so, including encores, which seems a little tight as they have three fine LPs to choose from.

They didn’t play Hot Summer – what a bummer. But we did get Terra Firma and She’s Attracted To and Loughborough Suicide and I Love My Name and Turn Tail, all of which were belted out by the small but enthusiastic crowd dahn the front. And after witnessing Bill Bailey doing Hallelujah in the style of Kraftwerk the other night, tonight we get Young Knives doing The Model in the style of … well, Young Knives.

Good show all in all. Another half hour would have been perfect, but you gotta love Young Knives

http://www.youngknives.com/